Documenting the Oakland cultural renaissance

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Women Runnin It: Interview with Tracie Collins

When Oakulture scheduled a photo shoot with Tracie Collins, she requested the location be the ‘Welcome to Oakland’ mural at 109th and Bancroft. Tracie’s mix of fierceness and grace came across in the shoot, especially when she posed in front of a sign reading “Beast Oakland.” Since October 2013, when Tracie made her directorial debut with “The V Monologues: A Black Woman’s Interpretations,” she has written, directed and produced three more productions, all within the course of a year and a half – many of those to sold-out shows. Her online store sells a t-shirt which says “God is from Oakland.” From the soulful womanist inquiries that are her works to her history as a professional doula who helps women to give birth, Tracie clearly is on intimate terms with that God.

With a specialization in bringing provocative and soul searching works to the stage, Tracie has quickly established herself as a beloved playwright and director of Oakland, becoming a force in the theatrical scene in the space of just a few short years. In March of 2015, Tracie produced “Cold Piece of Werk,” a catalyzing theatre production focused on the young girls caught in the dangerous track of International Boulevard. On opening night, the city of Oakland proclaimed March 12th to be Tracie Collins Day. The proclamation states, “She is an avid activist on issues surrounding equality for women and race relations. Her ability to draw from the many changes happening in Oakland allows her to write, direct and produce entertainment that opens a forum for dialogue and self-awareness.”

“Cold Piece of Werk’s” dramatic activism aligned Tracie with a burgeoning movement of self-named abolitionists making moves to combat the sex trafficking epidemic in Oakland, the second largest hub in the U.S. for sexual slavery. Many of these community leaders are survivors and/or women of color who continue to unveil new non-profits, businesses and artistic projects to raise awareness and interventions, a grassroots community effort which has seen results in the City Attorney taking action against notorious motels. But Oakland’s well-established pimp culture won’t give up that easily, and despite giving lip service to the cause, its politicians haven’t made getting girls off the street a top priority. In the city’s most recent budget, $30 million was allocated to police overtime–a large portion of which was spent covering #BlackLivesMatter protests–but a $600,000 request to fund transitional housing for human trafficking victims received only $110,000 annually. Noel Gallo, whose district includes parts of International Blvd, aka “The Track,” was the only Councilmember to vote against the budget. “We pimp on the street and we pimp at City Hall,” he is quoted as saying. When asked about this, Tracie declined to answer, explaining that she was so upset and angry, she wasn’t quite sure how to respond.

At this time, Oakulture is very honored to catch up with Tracie Collins, a self-professed “voice of the urban woman,” to hear her perspectives on using art to stir social conversations and the issues she addresses. Current projects include a film adaptation based on “Cold Piece of Werk” as well as a stage production in Atlanta in early 2016. Upcoming projects include television and several stage productions including a thriller, “The Midwife,” “Divorce: Black Woman Style” and “Dressing Room” about exotic dancers in Atlanta. Originally an actor by training, Tracie also shared with us that she is currently writing a one-woman show.


Tracie Collins

Tracie Collins

Oakulture: Your productions have consistently been focused on subjects which have been both relevant and taboo in black women’s lives. Why is it important to focus on black women’s experiences?
Tracie Collins:
Today now more than ever with Sandra Bland’s death, we need to focus on Black Women’s Lives. We are the first teachers and the givers of life; however, we are often overlooked, unless we are naked in music videos. I’m a black woman, and I will continue to touch on issues that are relevant to us.

Oakulture: How did “The V Monologues” differ from “The Vagina Monologues?” What changed when you took that topic into a black female cultural space, and what didn’t change?
Tracie Collins:
With “The V Monologues: A Black Woman’s Interpretation,” I gave a voice to us as black women and our experiences with our bodies in relation to our culture. I also incorporated music by Nina Simone and eventually Chaka Khan, two iconic women not only in music but in the African American culture. I married subject matters of sexual intolerance, sexual abuse, body image celebration and our journey as Black Women and intertwined that with our music.

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Oakulture: This past spring the city of Oakland officially proclaimed March 14th to be “Tracie Collins Day.” To what do you attribute this honor and do you have any plans for March 14, 2016?
Tracie Collins:
Lol, well, March 2016 I’ll be in production mode, so I’ll be working. As for the proclamation, I feel it was attributed to my work in arts & entertainment in Oakland and bringing forth or reigniting the love of live theater in a city that isn’t known for it.

Oakulture: Your efforts to raise awareness of sex trafficking in Oakland has gained you recognition by the city for your leadership. How big of a problem is sex trafficking in Oakland?
Tracie Collins:
Huge. E14th or International Blvd is the largest track in the intercontinental United States. Girls are brought here from all over and trafficked up and down International Blvd.

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Oakulture: How much of that can be attributed to the glorification of the pimp as an icon?
Tracie Collins:
I believe initially the glorification [came] from the movie The Mack, which was filmed in Oakland. However, fast forward to current day, the glamour isn’t as prevalent because these girls come from various different circumstances which have led them to this choice or moment of time in their lives.

Oakulture: How much of the problem comes out of cultural or linguistic isolation and economic disparity?
Tracie Collins:
Unfortunately, rap music — and I say “rap,” instead of hip hop for a reason — rap music makes millions of dollars off the degradation of women and objectification of our bodies. And when the multi-million dollar industry glamorizes this, our youth will only emulate what they hear. Well, a whole list of issues and problems come from economic disparity. But in relation to sex trafficking, when one feels that their choices are limited when it comes to gaining economic stability and/or growth, then one may resort to matters that we would consider illegal or unethical. Also, social media places things at our fingertips. So women or pimps don’t have to walk the streets to “work” and make a viable income from that industry.


Oakulture: In your opinion, does the city do enough to address sex trafficking effectively? What should they be doing that they aren’t?
Tracie Collins:
No. They need to educate these children in schools about the pitfalls and traps into and of this lifestyle. They need to add more resources and rescue and recovery agencies and arrest, shame and prosecute the pimps and Johns and not the young girls/women in these circumstances.

Oakulture: Your most recent production, “Cold Piece of Werk,” focused on the realities of young women’s lives caught in the sex trafficking industry here in Oakland. Did you speak with any young women in the game? If so, did any of them see the production or have any opinions on it?
Tracie Collins:
No, unfortunately when I reached out to rescue and recovery agencies they were nonresponsive; that includes the District Attorney’s Office and Oakland Police Dept. They only joined in later after they saw all the attention my work was getting. Several mothers whose daughters were “caught up” in the game contacted me, and my publicist made sure that I was able to meet them personally.

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Oakulture: What has the community response to your efforts to raise awareness around this issue been?
Tracie Collins:
The community, on the other hand, has been amazing, extremely supportive and responsive. They either didn’t know or weren’t aware of the impact sex trafficking is having in the city of Oakland. I had mothers who brought their daughters to see CPOW to start the conversation. I brought awareness to a community that wants change, but wasn’t fully educated on the issue. I’m proud of that.

Oakulture: You’ve said that since producing “Cold Piece of Werk” you have been contacted by citizens when they’ve suddenly been confronted with sex trafficking in their own lives. What do you do with that information and those stories when they come to you?  How do those stories impact your art moving forwards?
Tracie Collins:
I listen. Anything relating to young girls and women will always impact my womanhood and, in turn, impacts my artistry. Never know what topic I will choose to spread awareness on next.

Oakulture: What are your influences as a storyteller?
Tracie Collins:
I’m a huge fan of director Antione Fuqua, director of Southpaw, which will be in theaters this Friday, July 24th. He also directed The Equalizer, Training Day and Olympus Has Fallen. He’s exceptional and unrecognized by Hollywood standards.

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Oakulture: How do you specifically approach discussing difficult or taboo topics in your work?
Tracie Collins:
Not specifically; it just comes out. But I enjoy making people think. People don’t think. Way too much tunnel vision going on, especially in the black community. We have got to stop sweeping things under the rug and pretending issues don’t exist and hoping they’ll go away if ignored. We need to open our hearts first, our minds second, and our ears third to facilitate change and healing. My writing takes me on my own journey, but one thing that is consistent is that I write from my heart, so that I speak to the hearts of others. That’s when I know I’ve done my job.

Oakulture: How do you hold yourself personally accountable to your community and to the women which you seek to speak for?
Tracie Collins:
I hold myself accountable to myself first, my children second, and my sisterhood third. I will share with you something I recently posted on Facebook in regards to the celebration of Frida [Kahlo] in San Francisco that just passed. “I am such a proud FEMINIST!!!! That’s who I am. There’s no escaping it, and I surround myself with strong women. Everything I do is to empower and strengthen women. I don’t care about your color, your background, your sexual identification, your health history or should I say HERstory, your relationship status, how others see you, the texture of your hair, if you’re PHat or skinny, a professional woman, a stay-at-home mom, what level of education you have or don’t have. Whatever! Because to me, we are all BEASTS!!! We are the givers of LIFE; it’s that simple. I see it every day. And until a man can say that, they can have several seats to me. I’m not a man hater, but #IJS ‪#‎FRIDA‬ has been my favorite artist for many years. She was before her time as many of us forward-thinking women are. She embraced her difference. Her uniqueness set her apart. As does yours!”

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Oakulture: Role models? Who do you admire artistically and why?
Tracie Collins:
I wouldn’t say “role models;” however, I do admire women who go against the status quo. I believe as an artist, if Im not pissing people off, I’m not doing my job. I believe that silent women don’t go down in history, or as i like to say, HERstory.  As an artist, you are given a platform to invoke change. And let’s just say, I plan to exercise mine loudly. The larger my platform, the louder I’ll become for positive growth and progressive change for women.

Oakulture: Any Oakland heroines in particular?
Tracie Collins:
I believe my heroines are those in my everyday circle: women who are mothers and still making things happen. I want to live my life to be a heroine for my daughters. We duplicate what we see. I want them to see power!


The mission of Tracie Collins Productions “is to finding, developing and producing works that highlight diverse experience with a focus on developing productions centered on women.” Current projects include a film adaptation based on “Cold Piece of Werk” as well as a stage production in Atlanta in early 2016. Upcoming projects include television and several stage productions including a thriller, “The Midwife,” “Divorce: Black Woman Style” and “Dressing Room” about exotic dancers in Atlanta. Originally an actor by training, Tracie also shared with us that she is currently writing a one-woman show.

Follow Tracie Collins:



Get to know the women previously highlighted in the series:
Candi Martinez, Chaney Turner, Nina Menendez, Gina Madrid aka Raw-G, DJ ZitaSoulovely crew Lady Ryan, Aima the Dreamer and DJ Emancipacion, Ramona Webb, Naima Shalhoub and Joanne Ludwig.

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Oakulture’s Guide to International Women’s Month Events in Oakland and Beyond

March has become known as international women’s month dating back to 1909, when organizers in New York initiated International Working Women’s Day on March 8th to honor striking garment workers. Now, around the world, events happen throughout March committed to honoring, loving and inspiring women’s lives. In Oakland, the herstory of women’s cultural activism includes Chinese-American suffragettes’ work in the early 20th century, the Gay Women’s Liberation and Black Power movements of the late 60s, all the way up to #BlackLivesMatter today. Now, every March brings many opportunities to revel in a wealth of informative, educational, and/or dynamic events celebrating international women’s impact, and the many incredible women we all live amongst every day, who have birthed the very fiber of our culture.

In Oakulture, those threads include hip-hop, artivism, solidarity, love, Bomba, ritual, #pussypower, truth-speaking and women singing, dancing, speaking and listening to each other — covering a wide range of ethnic/cultural diversity and artistic mediums, from visual art to spoken word to dance to music to film and more.  With that said, we present our guide to woman-centric events happening this March. Be a part of the culture you want to live in and join “El Mes de La Mujer” (The Month of Women).

*We will be making additions to this calendar regularly throughout the month of March. Follow Oakulture on WordPress.com and Like Us on Facebook to keep up. More events and information will be posted as it is available.

March 6th
Bites & Beats: A Celebration of Women in Hip Hop
Youth Radio’s Remix Your Life presents a special Bites & Beats celebration with a panel of women hip-hop artists/journalists, youth advocates, poets, authors, producers including MADlines, Coco Peila, Dom Jones, Rocky Rivera, Hazel Rose, Jazz Monique Hudson and Talia Taylor. “This panel allows community members to be part of a special artist-to-artist conversation, and an opportunity to witness and receive knowledge from a powerhouse of women who have and still are greatly contributing to the arts and society.” Youth performance showcase of artists follows at 7pm. Free Admission. 5:30pm, Youth Radio, 1701 Broadway, Oakland.

Coco Peila (r.) is featured at Youth Radio's "Remix Your Life" showcase

Coco Peila (r.) is featured at Youth Radio’s “Remix Your Life” showcase

March 6th
First Friday Featuring Three Women-Fronted Bands
Oaktown Indie Mayhem presents a First Friday show with three women-fronted bands: Meerna, Kelly McFarling and La Dee Da. Free Admission. All ages. 8pm, Awaken Cafe, 1429 Broadway, Oakland. 

March 6th
Friday Night Kick-Off for the 30th Annual Empowering Women of Color Conference
This year’s Empowering Women of Color Conference, “No Better Time Than Now: Transnational Resistance, Solidarity & Love” starts off with a Kick-Off Concert featuring Stephanie Yun, Ruth Kelly, Milani, Turtle Women Rising, DJ Agana, Joy Elan, Aurora Masum-Javed, Ruzove Sny, Amani, Ka’ra Kersey and Pluma Sumaq. Confirmed keynote speakers for the conference on Saturday are Favianna Rodriguez, CeCe McDonald and Corrina Gould. Free Admission & First Round of Drinks, 7-8:30pm, La Pena Cultural Center, 3105 Shattuck Ave., Berkeley.


March 6th & Ongoing
Black Women Artists On Art
Black Artists On Art’s The Legacy Exhibit reconfigures and refocuses for the latter part of their exhibit with “Black Women Artists On Art.” The main gallery features new and previously-exhibiting work by Sydney “Sage” Cain, Tasin Sabir, Virginia Jourdan, and others. 6-10pm. Oakstop, 1721 Broadway, Oakland.

March 6th & Ongoing
Oakland Through Our Lens
Betti Ono Gallery along with Michelle Ternus, Melonie and Melorra Green co-curate an Oakland International Women’s Day month-long exhibit, “Oakland Through Our Lens,” featuring photographs of life in Oakland taken by women of color, queer women and first time photographers. Opening night performance includes Valerie Troutt, Pr3ssplay Poets & Productions and The Singing Bois. Exhibiting artists include Amber Avalos, Andrea Barros, Cicely Day, Caity Fares, Angela Fernandez, Kristen Flury, Jay Gash, Angelica Gutierrez-Cruz, Idris Hassan, Melinda James, Diana Kampa, Morgan Parrick, Alejandra Perez, Rachel Perez, Sandra Ramirez, Julissa Rodriguez, Charise Sowells, Fran Ternus, Sunshine Velasco, and Karis Wallace. 6pm. Betti Ono Gallery, 1427 Broadway, Oakland.

Photo by Amber Avalos. Courtesy of Betti Ono Gallery.

Photo by Amber Avalos. Courtesy of Betti Ono Gallery.

March 6th & Ongoing

Rebirth: New Land, New Life, New People
Gallery owner and local art pioneer Joyce Gordon presents “Rebirth: New Land, New Life New People. Capturing the San Francisco Bay Area and its Diversity.” This exhibit features works by artist Nina Fabunmi, whose artist statement reads, “As an African Ambassador, art is my language and as you appreciate the work of my hands, you become a part of it.” Joyce Gordon Gallery, 406 14th St., Oakland.

March 7th
Sift & Uplift
Nicia de Lovely presents Sift & Uplift, an international women’s day celebration and fundraiser honoring the mighty spirit of woman. Featured artists include Jacalyn Evone, Carla S. Dancer, LeDre Entertains, Ike the Performer, Prettymuggin Illustrations, Black Hippie Boutique and guest of honor Dr. Ellen Foster-Randle, classical opera singer and African-American scholar. The night will bring poetry, choreography, singing, praising, fashion, stories of glory and includes food and a champagne toast. Contact niciadelovely@gmail.com. Tix $15, 3-6pm, Imagine Affairs Art Lounge, 408 14th St, Oakland.

Carla S. Dancer, featured at the Sift & Uplift International Women’s Day Celebration

Carla S. Dancer, featured at the Sift & Uplift International Women’s Day Celebration

March 7th
“Alice Walker: Beauty in Truth”
IHO Women’s Film Forum screens “Alice Walker: Beauty in Truth” with an in-person Q&A with director Pratibha Parmer. The feature documentary film focuses on the internationally-famous womanist writer and “Color of Purple” author, with appearances from Yoko Ono, Quincy Jones, Steven Spielberg and Danny Glover. 7-10pm. Tix $10-12. Impact Hub Oakland, 2323 Broadway.

March 8th
105th International Working Women’s Day March & Celebration
This year’s International Women’s Day march theme is “Uphold the Legacy & Power of Women’s Resistance Here and Abroad!” and it culminates at 1:30pm with a celebration for women’s strength & resistance. Contact: gabrielawomen@gmail.com. 12-3pm. Lake Merritt Amphitheater (12th st. & 1st ave.), Oakland.

March 8th
Dia Internacional de La Mujer Concierto 
La Pena Cultural Center presents an International Women’s Day Concert musical collaboration with Las Alma’s, Yeye Suarez, and the Mujeres Taller Bomba y Plena. All music written and performed by women. Come live the values and knowledge of International Women’s Day in this community concert. Family event. 5:30pm, Tix $12, La Pena Cultural Center, 3105 Shattuck Ave., Berkeley.

International Women's Day Celebration at La Pena

Mar 8th
Community Paint Day for “Her Resilience: A Mural For Women Affected By Violence”
Her Resilience” is a mural to honor, celebrate, and commemorate the lives of women affected by violence in Oakland. In April 2014, a young woman named Kimberly Robertson, new to Oakland, was the victim of violence and left dead in a local park. In response to this, an artivist collective of several women have initiated a community mural “Her Resilience” in a nearby park to honor and claim space and now invite the community to help complete the painting of the mural. A paint by numbers template allows for the community painting and the paint and brush supplies are provided. Contact: herresilience@gmail.com. 11am-5pm, Park Community Garden, Corner of Park & Cleveland, Oakland.

March 9th
“A Place of Rage,” “Angela: An Icon Reflects,” & “June Jordan: Wrong Is Not My Name”
IHO Women’s Film Forum screens works by director Pratibha Parmar and in-person Q&A.“A Place of Rage” looks at and celebrates African American women and their achievements through interviews with Angela Davis, June Jordan and Alice Walker. Also screening are Parmar’s films “Angela: An Icon Reflects” and “June Jordan: Wrong Is Not My Name.” Tix $10-$12. 7-10pm, Impact Hub Oakland, 2323 Broadway. 

Alice Walker (l.) with filmmaker Pratibha Parmar (r.)

Alice Walker (l.) with filmmaker Pratibha Parmar (r.)

March 12th
Woman Song – Girl Power!
Highly-respected Oakland non-profit MISSSEY presents “Woman Song-Girl Power!” celebrating the freedom of women and youth from exploitation and trafficking. Catherine Wanjohi, founder and director of Life Bloom Services International of Kenya, and Falilah Bilal, executive director of MISSSEY, will share stories of inspiration and heartache, victories and challenges such as Project H.O.N.E.Y (see video below). Betsy Rose and other Bay Area performers will lead in raising our voices in song and finding a deeper connection to women and youth at risk. Light refreshments. 6-8pm. Contact: 510-251-2070, MISSSEY Offices, 436 14th St, Ste. #150, Oakland.

March 14th

Check the Rhyme: Women’s Herstory Hip-Hop & Art Showcase
Chaney Turner and Social Life Productions bring you “Check the Rhyme: Women’s Herstory Hip-Hop & Art Showcase” featuring MC MADlines with DJs AGANA, Lady Ryan & Thatgirl and hosted by Mona Webb. With live art, dancers and vendors this is sure to be the women’s hip-hop throw down that you really want and need. Free Admission before 10:30pm/$10 After, 9pm-2am, Berkeley Underground, 2284 Shattuck Ave, Berkeley.

DJ Agana performs at "Check the Rhyme: Women’s Herstory Hip-Hop & Art Showcase"

DJ Agana performs at “Check the Rhyme: Women’s Herstory Hip-Hop & Art Showcase”

March 14th
The Benefit of Words
Marcus Books presents ‘The Benefit of Words,’ an intergenerational performance experience fundraiser. Packed with an incredible powerhouse line-up including many women such as Ryan Nicole, Jennifer Johns, Chinaka Hodge, YGB, Youth Speaks and many more artists this night is dedicated to celebrating and empowering the next generation. “Marcus Books is where I learned to read and now I teach upwards of 40,000 young people how to use their words everyday,” says Chinaka Hodge. Family friendly, Tix $20 online/$25 at door, 7pm,  Geoffrey’s Inner Circle, 401 14th Street, Oakland.

March 14th
Respect Where You Come From
Local favorite radical shoe store and art gallery SoleSpace hosts an artist talk with Oakland artivist Favianna Rodriguez on her recent works and exhibition “Respect Where You Come From” focusing on sexuality, feminism, #pussypower, climate change and human rights. Free Admission but only 50 seats, Doors at 6:45pm, SoleSpace, 1714 Telegraph Ave, Oakland.

Artivist Favianna Rodriguez

Artivist Favianna Rodriguez

March 14th-15th
Cold Piece of Werk
Written, directed and produced by an accomplished champion of women’s voices, Tracie Collins, “Cold Piece of Werk” is a stage play about a seventeen year old girl named Midnight caught in the sex trafficking epidemic of East Oakland. While her father is the pastor of the largest church in Oakland, the play asks how she ended up on the streets and how will she get out? Tix $25, 3pm and 7pm, *Doors close 10 minutes after show begins, Kaiser Center Lakeside Theater, 300 Lakeside Dr and 20th St, 2nd Floor, Oakland.

March 19th

The much-anticipated Oakland premiere of “Free” screens the award-winning documentary about Destiny Arts Youth Performance Company and their use of art “to transform violence, poverty and isolation.” This beloved local dance/theater company for youth, well-known for their high quality performances and pioneering youth empowerment programs, Destiny Arts gets its shine as the documentary follows the intimate stories of five teenagers in the program.  Academy Award-nominated director Suzanne La Fetra and David Collier will be in conversation as well as project members. The screening also features a live performance by Destiny Arts. Tix $7. 7pm, Grand Lake Theater, 3200 Grand Ave, Oakland.

Mar 21st
Her Resilience Part I: Mural Unveiling & Ceremony
The Her Resilience collective of female artivists will unveil their new community mural for women affected by violence in Oakland with ceremony, community dialogues on safety and resiliency, healing circles for all genders, a kid zone and child care. Coffee, drinks, and donuts sponsored by Mamacitas Cafe. Contact: herresilience@gmail.com. 11am-3pm. Park Community Garden, Corner of Park and Cleveland, Oakland.

Her Resilience

March 27th
Empress Unification
The musical collective of female artists, Empress Unification, is committed to joining their forces to promote and support positive woman-centric reggae and world music artists and using their clout to financially support women’s charities. Empress Unification is a collaboration between Irae Divine, Razteria, Sol Atash and Kimiko Joy singing in english, farsi, french, hebrew, spanish and portuguese. Backed up by the Fyah Squad band, the Empress show will also bring in special guest Sister Molly Rose and others. The night is hosted by Sweet-T and this show will kick off their tour, “Strength in Unity.” All ages. Tix $10-15. 8:30pm, Ashkenaz, 1317 San Pablo Ave, Berkeley.

March 27th
A Leaf of Voices: Plant Myth and Lore in the African Diaspora with Luisah Teish
The Ohlone Herbal Center presents “A Leaf of Voices: Plant Myth and Lore in the African Diaspora” with author, storyteller, ritualist and elder in the Ifa/Orisha tradition of the African diaspora, Luisah Teish. This event features a lecture on medicine systems of the world lecture and hands-on workshop series on “how herbalism fits into the dynamic practices of these community leaders.” Teish’s recent book, co-authored with local Kahuna Leilani Birely, is titled “On Holy Ground: Commitment and Devotion to Sacred Land.” Tix $10-25, 7-8:30pm, The Ohlone Herbal Center, 1250 Addison, Berkeley.

March 28th

Out of Control
The Lower Bottom Playaz present a staged reading of “Out of Control.” Written by Opal Palmer Adisa and directed by Lower Bottom Playaz‘s own Ayodele Nzinga, this performance focuses on domestic violence when they say ‘Love Ain’t Supposed to Hurt . . .’ For more information and partners interested in a full production contact: wordslanger@gmail.com. Tix $5 suggested donation, 7pm, Eastside Arts Alliance, 2277 International Blvd., Oakland.

March 28th
Pecha Kucha Night Oakland
Pecha Kucha Night (PKN) is an event focused on speed inspiration and community. Invited presenters are allowed 20 powerpoint slides with 20 seconds of narration per slide. Oakland PKN presents a special International Women’s Month edition with an all-woman line-up including architects, artists, chefs, curators, designers, entrepreneurs, fabricators, fashionistas, historians and scientists: Anyka Barber, Miranda Bergman, Melonie & Melorra Green, Navina Khanna, Ebony McKinney, Dr. Gail Myers, Kate Schatz and Miriam Klein Stahl with DJLN on the turntables. Doors at 7pm, Tix $10, SoleSpace, 1714 Telegraph Ave., Oakland.